James C. Leonard

James C. Leonard

James C. Leonard
James Leonard (b. 1949, American) James Leonard has emerged as one of California’s leading abstract expressionist painters. Leonard’s emotionally charged compositions, which at first appear purely abstract, often suggest embedded landscapes, figures, and objects. Working with acrylics on canvas or board, Leonard uses bold horizontal and vertical strokes and variegated color to suggest different moods, seasons, registers, art historic resonations, etc. While one work might convey a lacy, Rococo, light decorativeness, another might seize the viewer with high-contrast lights and darks and drastic strokes in a Baroque manner, deep with gravitas. “Just as our lives unfold in unique and beautiful ways, so do my paintings have their own unique and individual expression. Most artists work from the outside in, the subject is outside of themselves. I work from the inside out,” says Leonard. Abstract Expressionism or Action painting, which had its beginnings in Surrealism in Europe of the 1930s, came to full fruition in New York of the 1940s and ‘50s in a group called the Abstract Expressionists. Influenced by the Surrealists, who had re-settled in NYC due to Germany’s occupation of France, this younger generation of Americans is responsible for giving the U.S. its first ‘home-grown’ school of international art. Just as Jazz music was the first totally American musical form of international proportions, so Abstract Expressionism was a uniquely American language of art, which influenced artists on every continent. Even Picasso had to retort with his near-abstractions of the 1970s! Most artists work with brushes, while Leonard works with extended palette knives. “I’m pulling paint, layering one layer at a time, which creates a sense of history in the painting. It’s like looking at a fence post that’s been repainted over a period of time. You can see the different colors and layers.” In art-speak, this geometric depth of ground is known as ‘push-pull.’ What first appears as the ‘background’ may suddenly exceed to the forefront of the painting, while what a second ago seemed like the forefront, recedes. “Great art is such a surprise. It’s so enchanting, so delightfully unexpected and unpredictable. In order to create that, you have to drop the concept of imposing what you think it should be, and allow the work to evolve in its own way. That requires all the skills of listening, allowing – learning to quiet that part of our mind that is constantly telling us how things should be. For me, that’s the essence of creativity.” “Leonard’s compositions are non-representational and move the viewer’s eye vertically or horizontally across the space. This basic movement is complicated by layers of dropped, speckled, and fragmented colors that infuse not only a rich language of color, but also a visual history left to be discovered by the eye as it moves across the surface. Leonard’s inventive layering process results in heavy impasto, or textured surfaces with a glossy, wet shine, making them particularly beautiful when seen in person.” – Urban Tulsa Weekly, 2010 “There can be thirty or forty layers in one painting, creating the feeling of a ‘waterfall.’ As a final touch, Leonard employs a technique he calls ‘sgraffito’ – scraping lines through the upper layers, so the colors of the ground layers show through. It’s a technique that demands courage and conviction; one misstep can destroy an entire painting.” – Art writer, critic, and curator Dallas Faulkner EDUCATION 1976 Bachelor of Fine Arts, Fresno State University, Fresno, CARECENT EXHIBITIONS2017 Art Market San Francisco, Chloe Gallery MUSEUM & JURIED EXHIBITIONS & PRIZES 2013 San Diego Contemporary Art Fair, CA 2012 Art Basel Miami, FL 2012 Bold Expressions International Exhibition, Carmichael, CA 2010 Andrews Art Museum, solo exhibition, Andrews, NC 2006 All-Abstract Show, Valley Art Gallery, “Second Place Award” 2005 Alameda Art Center, Contemporary Abstracts, Juror: Kenneth Baker, San Francisco Chronicle Art Critic 2004 San Diego Museum of the Living Artist, 47th Annual International Juried Award Exhibition, “Award of Excellence,” CA 2004 Albany Museum & Institute of History and Art, NY 2002 Bellevue Art Museum, Bellevue, WA 2001 Palm Springs Desert Museum, 32nd Annual National Juried Exhibition, “Artists’ Council Award,” CA 2000 San Diego Museum of Art, All-California Exhibition, “Silver Award,” CA 1999 The Artist's Magazine, “The Best of Art Competition, Experimental Category” CORPORATE & PUBLIC COLLECTIONS 3-1 Corporation, Waltham, MA Abry Partners, Boston, MA Acadian Asset Management, Inc., Boston, MA Adobe Systems, San Francisco, CA Alumax Corp. Headquarters, Atlanta, GA Andrew Spangler, Spangler Law P.C., Longview, TX Appia Developments, Vancouver, Canada Arthur Anderson, San Francisco, CA Ascent Art Ventures, LLC., Dallas, TX Axis, Hamilton, Bermuda Biogen Inc., Cambridge, MA Boston Stock Exchange, Boston, MA Brookfield Power, Marlborough, MA Brookstone Inc., Amherst, NH Burns & Levinson, Boston, MA CB Richard Ellis, Walnut Creek, CA Cetrulo & Capone, Boston, MA Color Kinetics, Boston, MA College Park Music Dept., Pleasant Hill, CA Computer Associates International, NYC, NY Cornnuts Toasted Corn, Oakland, CA DDJ Capitol, Boston, MA Deloitte Consulting, Boston, MA Driscoll Agency, Boston, MA Dwyer & Collora, Boston, MA Edinboro University, Edinboro, PA Edwards & Angell, Boston, MA Ellen O. Tauscher, Congresswoman, 10th District Epstein Becker & Green, Boston, MA Factory Motor Parts, St. Paul, MN Fairmont Waterfront Hotel, Vancouver, Canada Fenway Ventures, LLC., Boston, MA filmtwist.com, San Francisco, CA Flanders, Douglas & Associates, Minneapolis, MN Florida Credit Union, Tallahassee, FL FM Global, Waltham, MA FSP Phoenix Tower, Ltd., Houston, TX Goodwin, Procter & Hoar, Boston, MA Hadco, Canton, MA Hale & Dorr Law Offices, Boston, MA Harvard Vanguard Medical Assn., Boston, MA Hyatt Regency, Vancouver, Canada Hinkie & Foran, Tallahassee, FL Hoffman Companies, Boston, MA Inn At The Opera Plaza, San Francisco, CA Interface Consulting Int., Houston, TX Integrated Financial Partners, Boston, MA. LOI, Inc., Boston, MA Issacson Miller, Washington, D.C. Jack Morton Worldwide, Boston, MA Joule Unlimited, Inc. Bedford, MA Kaiser Permanente Hospital, Vallejo, CA Kim Copeland Productions, Nashville, TN Larson-Juhl Corp., Craig & June Ponizo, Atlanta, GA Lifoka Grafische, Den Haag, Holland Loews Hotels, NYC, NY Looper, Reed, Mark & McGraw, Houston, TX Marriott Copley Place, Boston, MA Mathematica Policy Research, Washington, D.C. Mayer, Brown, Rowe, & Maw, Washington, D.C. Meany & Oliver, McLean, VA MFA Moody, Famigliette & Andronico, Tewksbury, MA Mirion Technologies Inc., San Ramon, CA Mopar, Detroit, MI Motorola Company, Dallas, TX NASA, Stennis Space Center, Starkville, MS National Development, Boston, MA Pacific Union Real Estate, San Francisco, CA Palmer & Dodge, Boston, MA Pilko & Associates, Houston, TX Prince, Lobel, Glovsky & Tye, Boston, MA Sage Hill Partners, Cambridge, MA Sanford Bernstein, San Francisco, CA Schnaeder, Harrison, Segal & Lewis, Law Offices, Atlanta, GA SCM Microsystems, Los Gatos, CA Scudder, Stevens & Clark, Boston, MA Shire Pharmaceuticals, Boston, MA Simplex Inc., Boston, MA Skadden, Arps, Slate, & Flom, Boston, MA Sky Across, Tokyo, Japan Soundboard Consulting Group, LLC, Boonton Township, NJ Stonebridge Associates, Boston, MA Summit Bank, Oakland, Walnut Creek & Emeryville, CA Sunset Magazine Idea House, 1999 Symantec Corporation, NYC, NY & Cupertino, CA Thomas Mizo Chadwick, Saylor & Co., Los Angeles, CA Tisbury Capital, Boston, MA Total System Services, Columbus, GA Tufts Dental School, Boston, MA Unicco, Auburndale, MA USAA Law Offices, San Francisco, CA Washington Real Estate Investment Trust, Rockville, MD Wilmer Hale, NYC, NY Wusthof Knives, Solingen, Germany Xl Corp. Hamilton, Bermuda CRITICAL REVIEWS 2012 Galleries West Magazine Valley Sentinel, Pleasanton, CA 2010 Artnews Magazine Urban Tulsa Weekly, Tulsa, OK 2008 Bottom Line, Palm Desert 2006 Contra Costa Times 2004 San Diego News 2000 Laguna News Post 1999 The Artist's Magazine, Best Art of Art: Experimental Category, “Honorable Mention” www.about.com 1998 The Santa Fe New Mexican The Guild Art Expressions Magazine 1997 St. Louis Post Dispatch CAREER 1980 –1993 Art Instructor, Mt. Diablo Unified School District, developmentally disabled adults, Lafayette, CA PHILANTHROPIC DONATIONS USC/LAC Medical Center, Los Angeles, CA HIV/AIDS Foundation, Houston, TX Larry King Cardiac Foundation, Auction, Beverly Hills, CA World Vision Inc., NYC, NY Open Hands Project, Santa Fe, NM Joe Morgan Invitational, Oakland, CA Canadian Cancer Society, Vancouver, B.C. Brevard Alzheimer’s Foundation, Inc. Summit Bank Foundation, Oakland, CA Parkinson's Foundation, San Jose, CA Make-a-Wish Foundation, San Francisco, CA Sunnyhills Children’s Garden, San Anselmo, CA Mt. Diablo Ballet, Walnut Creek, CA Habitat For Humanity, Mt. Diablo, CA Lycée Français, La Perouse, San Francisco, CA
Artist

Artwork

Gulf Stream, 2016
James C. Leonard

Gulf Stream, 2016

acrylic on canvas

36 x 36 in

Spoken Clearly, 2018
James C. Leonard

Spoken Clearly, 2018

acrylic on canvas

24 x 30 in

Untitled (Wave), 2018
James C. Leonard

Untitled (Wave), 2018

acrylic on canvas board

24 x 20 in

Untitled 6, 2018
James C. Leonard

Untitled 6, 2018

acrylic on canvas board

13 x 9.50 in

Blue, 2018
James C. Leonard

Blue, 2018

Acrylic on Canvas

36 x 36 in

Flight, 2018
James C. Leonard

Flight, 2018

Acrylic on Canvas

36 x 36 in

Last Movements, 2016
James C. Leonard

Last Movements, 2016

acrylic on canvas

48 x 68 in

Nature Speaks To You, Again
James C. Leonard

Nature Speaks To You, Again

acrylic on canvas

54 x 54 in

Rain in Maui, 2016
James C. Leonard

Rain in Maui, 2016

acrylic on canvas

60 x 60 in

Seeing You Again, 2015
James C. Leonard

Seeing You Again, 2015

Acrylic on Board

34 x 34 in

The Blues 1949
James C. Leonard

The Blues 1949

Acrylic on Board

24 x 40 in

Untitled Works on Paper #1
James C. Leonard

Untitled Works on Paper #1

Acrylic on Paper

20 x 34 in

Untitled Works on Paper #9
James C. Leonard

Untitled Works on Paper #9

Acrylic on Paper

16.50 x 24 in

Island Visit, 2017
James C. Leonard

Island Visit, 2017

acrylic on canvas

32 x 42 in

Sunsets Daily 1 (Part of Diptych), 2013
James C. Leonard

Sunsets Daily 1 (Part of Diptych), 2013

acrylic on canvas

16 x 20 in

Untitled 1, 2018
James C. Leonard

Untitled 1, 2018

acrylic on canvas board

13 x 18 in

Untitled 7, 2018
James C. Leonard

Untitled 7, 2018

acrylic on canvas board

12.50 x 10.50 in

Colors of Rainbow, 2010
James C. Leonard

Colors of Rainbow, 2010

Acrylic on Canvas

54 x 54 in

Green Juicy Pears
James C. Leonard

Green Juicy Pears

Acrylic on Board

24 x 20 in

Light Upon Light (diptych), 2017
James C. Leonard

Light Upon Light (diptych), 2017

Acrylic on Board

24 x 48 in

Nothing but Blue Skies, 2016
James C. Leonard

Nothing but Blue Skies, 2016

acrylic on canvas

36 x 72 in

Red Waves (Triptych), 2018
James C. Leonard

Red Waves (Triptych), 2018

Acrylic on Canvas

36 x 72 in

Seen Through, 2018
James C. Leonard

Seen Through, 2018

Acrylic on Canvas

36 x 72 in

Today's Your Day
James C. Leonard

Today's Your Day

Acrylic on Board

24 x 20 in

Untitled Works on Paper #4
James C. Leonard

Untitled Works on Paper #4

Acrylic on Paper

16.50 x 24 in

Walking Through The Woods
James C. Leonard

Walking Through The Woods

Acrylic on Canvas

72 x 72 in

Kanagawa (Great Waves Series), 2017
James C. Leonard

Kanagawa (Great Waves Series), 2017

acrylic on board

24 x 18 in

Sunsets Daily 2 (Part of Diptych), 2013
James C. Leonard

Sunsets Daily 2 (Part of Diptych), 2013

acrylic on canvas

16 x 20 in

Untitled 2, 2018
James C. Leonard

Untitled 2, 2018

acrylic on canvas board

14.50 x 15.50 in

Untitled 8, 2018
James C. Leonard

Untitled 8, 2018

acrylic on canvas board

8.75 x 8.75 in

Down South
James C. Leonard

Down South

Acrylic on Canvas

24 x 24 in

High Seas (2 of 2)
James C. Leonard

High Seas (2 of 2)

Acrylic on Canvas Board

24 x 20 in

Looking Back, 2015
James C. Leonard

Looking Back, 2015

Acrylic on Canvas

72 x 60 in

Open Ocean (1 of 2)
James C. Leonard

Open Ocean (1 of 2)

Acrylic on Canvas Board

24 x 20 in

Reeling in the Years, 2018
James C. Leonard

Reeling in the Years, 2018

Acrylic on Canvas

36 x 72 in

Sending You Flowers
James C. Leonard

Sending You Flowers

Acrylic on Canvas

36 x 60 in

Untitled 4, 2018
James C. Leonard

Untitled 4, 2018

acrylic on canvas board

12 x 8 in

Untitled Works on Paper #6
James C. Leonard

Untitled Works on Paper #6

Acrylic on Paper

16.50 x 24 in

Waterfalls In Maui, 2018
James C. Leonard

Waterfalls In Maui, 2018

Acrylic on Canvas

48 x 68 in

Nature Speaks To You, 2017
James C. Leonard

Nature Speaks To You, 2017

acrylic on canvas

54 x 54 in

Untitled (Diptych), 2018
James C. Leonard

Untitled (Diptych), 2018

acrylic on canvas board

18 x 28 in

Untitled 3, 2018
James C. Leonard

Untitled 3, 2018

acrylic on canvas board

12 x 10.50 in

Before Spring (diptych), 2017
James C. Leonard

Before Spring (diptych), 2017

Acrylic on Board

24 x 48 in

FD, 2018
James C. Leonard

FD, 2018

Acrylic on Canvas

36 x 72 in

Ice Cream, 2018
James C. Leonard

Ice Cream, 2018

Acrylic on Canvas

36 x 48 in

Nature Sings
James C. Leonard

Nature Sings

Acrylic on Board

36 x 36 in

Out to Sea, 2018
James C. Leonard

Out to Sea, 2018

Acrylic on Canvas

36 x 72 in

Running Around
James C. Leonard

Running Around

Acrylic on Board

18 x 24 in

Splash of Red
James C. Leonard

Splash of Red

Acrylic on Board

24 x 20 in

Untitled 5, 2018
James C. Leonard

Untitled 5, 2018

acrylic on canvas board

12 x 9.75 in

Untitled Works on Paper #8
James C. Leonard

Untitled Works on Paper #8

Acrylic on Paper

16.50 x 24 in

Yellow Butterflies
James C. Leonard

Yellow Butterflies

Acrylic on Board

24 x 20 in

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